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| Celebrate National Quilting Day on Saturday, March 20 at the Folk Art Center. Connie Brown and Robin Brooks, who are members of the Asheville Quilt Guild and the Southern Highland Craft Guild, will demonstrate their craft from 10am to 4pm in the center’s lobby. |
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| Folk Art Center Main Gallery |
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The Life and Works of Charles Counts
Saturday, January 16th, 2010 - Sunday, May 2nd, 2010
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| The Life and Works of Charles Counts exhibition will be on display January 16 - May 2. The show features over 146 objects including ceramics, quilts, drawings and paintings as well as photographs and other archival material. An opening reception for the exhibition will be held at the Folk Art Center from 4pm to 6pm on Friday, February 5. |
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| Folk Art Center Focus Gallery |
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Susan Sorrell and Nancy Fleming
Saturday, February 27th, 2010 - Tuesday, April 20th, 2010
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Craft Traditions:
The Southern Highland Craft Guild Collection
An ongoing exhibition
This exhibit of approximately 200 works features the best of traditional woodcarving, textiles, furniture, basketry, pottery, dolls, and other crafts of Southern Appalachia, dating from 1855 to the late 20th century.
The Southern Highland Craft Guild Collection represents the historical crafts of southern Appalachia. Many pieces date from the 19th century and were collected in the Asheville area by Frances L. Goodrich, a founding member of the Guild. Goodrich came to the region in 1890 to do educational and organizational work as a volunteer for the Presbyterian Home Mission Board. She had not planned to work in the crafts field, but rather, the idea was thrust upon her in the form of an antique bedspread. |
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THE ROBERT W. GRAY LIBRARY COLLECTION
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The mission of the Robert W. Gray Library is to collect, preserve, and make available for research materials concerning the appreciation and knowledge about traditional and contemporary crafts - particularly the craft heritage of the Southern Appalachian region.
Library materials relate to craft work from around the world and in all media with historical background as well as "how-to" information. There are also materials on regional history and development.
The collection contains over 7,000 books and exhibition catalogs, 45 current periodical titles as well as many that have been donated and are no longer available. A recent addition is an audio-visual area where visitors may choose from over 100 craft-related videos.
While the resources do not circulate, the materials are available for use on site. There is a Xerox machine for photocopying materials for personal use.
The Library is open whenever the Folk Art Center is open- every day from 9-6 (5pm in winter). It is housed on the second floor, to the left of the receptionist desk. The collection catalog is available on the library's computer at all times and a librarian is present four day's a week( T-W-Th-F) to assist users. The staff is happy to work with you on research questions. |
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| In this section you'll find web links to organizations affiliated with the Southern Highland Craft Guild - as well as a retrospective gallery of Guild Logos. |
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Rodger E. Jacobs
H J Studio |
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I am a member of the baby boom generation. I was born in Durham, North Carolina in 1946. My dad transferred from Duke to Ohio State in 1948 and I grew up in northern Ohio. I graduated from high school in 1965 and was off to see the world shortly thereafter. But while I was in school I noticed something about myself: I felt most at home when I was in the art rooms or woodshop, creating.
After what I call my sociology period, a combat tour as a Marine grunt in Vietnam and a year in the hospital recuperating, I left the country for a number of years to lick the wounds I received in combat and to try to figure out what life was all about. Once again I found myself making.
In St. Croix I carved redwood signs for hotels and restaurants, worked coral, bone, and silver into jewelry for friends, and remodeled bars with salvaged boat parts. An attack of materialism caused me to give up the beach life and return to the states, this time working in Colorado. Aspen has a few of my signs, as does Telluride. I also tried the entertainment business for a while, working as a roadie for Capricorn Studios, mainly with the Allman Brothers Band, but the road life soon wore thin.
After a couple of factory working years in the custom van market, I discovered living history, with affects me to this day. Everything is made by hand, and once again I found myself making: for myself and for others. Leather, bone horn, steel, wood, glass, metal, and fibers, all natural materials were the medium. It was then that I first started turning wood.
I have continued to grow and make through several more jobs working with wood, each more demanding and complex. House building, cabinet making, and furniture building have been full time jobs over the last twenty-three years while I have continued to develop my turning. In 1987 I took the plunge and designed and built my own studio. Now I have a wonderful place to grow and work. I’ve also learned that teaching, both on an individual basis and in a workshop experience, is part of that growth.
The commitment I have to woodturning is complete. I find pleasure and freedom with a dash of danger in turning; and selling my work to make a living gives me a feeling that I have been searching for over so many years. More and more, pure sculpture seems to be finding its way into my life.
I have developed my techniques from the forerunners of modern turning. The shapes and proportions that I borrow from are timeless, used for thousands of years by Oriental, Middle Eastern, and American Indian vessel makers. I believe in using the wood that I find locally. It is part of the fun to tramp through the woods looking for distressed, burled, spalted, or even plain trees. It is hard work getting the logs and pieces out of the woods. Log chains, peaveys, chain saws are the standard tools of the trade. It’s worth it though. Every time I open a piece it’s like Christmas, and every piece is different.
Shape and balance are the keys. In a hundred years, all that will be left is the shape: that the important part. I feel I have reached my goal when the work breathes by itself, when it radiates that certain aura that cannot be improved upon. Then I’m ready to start another, and another.
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